Thursday 6 February 2014

Day 82: From the Mouths of Mothers, by Amanda Stuart-Fisher

This play was created in collaboration with a charity that supports the non-abusive parents of sexually abused kids, and is adapted from several hours worth of interviews with voluntary participants. It's certainly not a light play, and it isn't meant to be. The stories all overlap, which makes it rather hard to follow for a lot of the early part of the play. Maybe that's partly my own struggles with following more than one conversation at a time, but I suspect it's also partly to show how easily each voice can become a bit lost in the noise for the medical, legal and emergency service professionals involved, and how devastating it is being just one lone voice that nobody can give full attention to. We do get to see each mother interacting with the son or daughter in question through the play, in snapshot conversations, but the mothers don't talk to each other. The final line brings them all into unison and... well, just reading it had me at the point of tears, so I can only imagine what it would be like to watch performed.

It's an awkward and difficult subject, and a lot of it makes for uncomfortable reading, as well it should. Some plays are subtle in their politics or activism. This one pretty much just comes out and talks about it, straight up. There's a lot of good advice, though most of it comes from examples of how not to deal with things. Whether I'd recommend it to others, I think if it's a subject you're interested in, it's worth a look. It is, without a shadow of a doubt, going to hit hard anyone who has been involved in simlar situations from any side of the story, but really it can't be any other way.

Oddly, I'm considering this as a potential source of monologues. There are a few of the mothers who are spot-on age appropriate and some great deep emotional stories (and because each story is just broken up through the length of the play, it'd be easy enough to run a couple together for length) - I would probably need to choose a different Shakespeare piece to go with it than the monologue I'm currently working on, for contrast - there's a subtle difference between a soliloquy and directly addressing the audience and I feel like it's not enough of a distinction.

No comments:

Post a Comment